Progress

Tonight I set about translating some of the dialogue in my current novel project, Solitude. I now know that the best way to develop your conlang is to translate. Some of the stuff I did tonight:

* I created a bunch of new words.
* I created a genitive case marker.
* I created an infix that marks reciprocity.
* I created a question particle.

That was from translating only four sentences. Doesn't sound like much, but the translation, glossing and IPA, as well as the research I did, took me the better part of an hour for just those four sentences. I anticipate that I will get better as I go along and run out of features and words to add. And maybe the notes I keep adding to my grammar will out a significant dent in things.

Examples to come.

(posted from my phone, so lack of formatting)

Glossing over things...

Glossing is fun. I just discovered that fact.

Introduction: My Language and Me

First, a little bit about me. I've been conworlding for...holy cow, 7 years now. I've been conlanging for probably 4 years, and my language has gone through many changes as I continually develop it. I am a professional student even though I'm not currently in school, and I'm working on a music degree. I have written several novels and short stories, which are the primary reason for my interest in conlanging. I got into the Conlangery Podcast a few weeks ago, and in listening to it, I've learned mountains that I wouldn't have before I discovered the podcast.

As far as languages, I'm a native English speaker, and I've studied Spanish through Rosetta Stone (which I highly recommend). I'm far from fluent, and my grammar is a wreck. A woman asked me the other day, "¿Hablas español?" Crestfallen, I replied, "Me no hablo español muy bien. Un pocito, pero no bien." I intend to change that. I currently want to learn the following to some degree of usability:

• Spanish (fluently)
• Italian (fluently)
• French (conversationally)
• German (conversationally)
• Esperanto
• Mandarin
• Russian

A tall order, I know, but I would love to have some facility in these languages if for no other reason than to make it easier to sing in foreign languages.

Now for a little bit about my conworld and its conculture. The world's name is Hra, and it is a planet located approximately fifteen light years from Earth. I started developing the language to some degree on the same day that I started developing its speakers, the hra'vakh. The first thing I developed was the script. I started playing around with the phonology, but it was awful to pronounce for the longest time. As I started creating words, things changed and I made it easier to pronounce. A couple of years ago I finalized the script and started on the syntax.

I put it away for a while, but after hearing an interview with Karen Traviss about Mando'a, the language of the Mandalorians in the Star Wars universe, I became intensely interested in finishing Hra'anh to the point that it was actually teachable and speakable. I currently have almost 200 out of the 2000 that Traviss suggests for minimum conversational capability.

I keep changing the grammar, syntax, word order, etc. But it's good that I'm moving away from relexing English, i.e. keeping the grammar, syntax, etc. and just coming up with new words. If all goes according to plan, I'll have my children speaking Hra'anh and English.